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The Metropolitan Museum of Art Nyc the Costume Tour

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Wing of the Metropolitan Museum of Fine art, housing The Costume Institute

Anna Wintour Costume Eye
Savage Beauty exhibition.jpg

Fell Dazzler Exhibition, 2011

Anna Wintour Costume Center is located in New York City

Anna Wintour Costume Center

Location within New York City
Established 2014
Location m fifth Avenue, Manhattan, New York Metropolis
10028
Coordinates twoscore°46′48″Due north 73°57′44″W  /  40.78000°Due north 73.96222°W  / 40.78000; -73.96222
Director Andrew Bolton[i]
Public transit access Subway: "4" train​"5" train​"6" train "6" express train to 86th Street
Autobus: M1, M2, M3, M4, M79, M86
Website Official website

The Anna Wintour Costume Eye is a fly of the Metropolitan Museum of Art in Manhattan that houses the collection of the Costume Establish. The centre is named after Anna Wintour, the longtime and current editor-in-chief of Vogue, artistic director of Condé Nast, and chair of the museum's annual Met Gala (oftentimes chosen the "Met Ball")[2] since 1995. It was endowed by Lizzie and Jonathan Tisch.[iii] As of Baronial 2017, the primary curator is Andrew Bolton.[4]

The center was formally opened by the First Lady of the Us Michelle Obama on May 5, 2014.[v] Guests included Sarah Jessica Parker, Diane Von Furstenberg, Tory Burch, Zac Posen, Ralph Lauren, and Donatella Versace.[half dozen] [seven] [8] [9]

History [edit]

Robe à la française 1740s, as seen in ane of the exhibits at the Costume Institute

In 1902, wealthy philanthropists Irene and Alice Lewisohn began to volunteer at the Henry Street Settlement House in New York, a community heart that provided social services and healthcare to immigrant families.[10] Alice, who acted in plays herself, began working every bit a drama instructor, while Irene devoted herself to dance productions. In 1914, the sisters bought a lot on the corner of Grand and Pitt Streets and donated information technology to the Settlement for edifice a new theater. The Neighborhood Playhouse opened in 1915. By 1920, the theater employed professional actors, and it was known for its experimental productions and its revue "The One thousand Street Follies."[xi] Theater designer Aline Bernstein served her apprenticeship in that location from 1915-1924 designing costumes and stage sets.

The Playhouse airtight in 1927, but the company continued to produce plays on Broadway nether the direction of Helen F. Ingersoll. In 1928, with Rita Wallach Morganthau, the Lewisohns established the Neighborhood Playhouse School of the Theatre at East 54th Street, where it became an actor preparation school and students were offered a 2-year programme formal drama and dance grooming to become professionals.[xi]

During their years of running the schoolhouse theatre and producing plays, a trunk of knowledge was formed about acting, theater production, and costume, set and phase pattern. In 1937, Irene Lewisohn opened a home for this library, the Museum of Costume Fine art, on 5th Artery. Aline Bernstein served as the start President and Polaire Weissman as its start Executive Director.[12] Later Irene Lewisohn's expiry in 1944, Lord & Taylor president Dorothy Shaver worked to bring the collection to the Metropolitan Museum of Art. Shaver believed that this would strengthen the American way industry and raised $350,000 from New York garment manufacturers to finance the transaction.[13] The Costume Art museum was became function of the Metropolitan Museum of Art in 1946, becoming The Costume Institute but was independently run until 1959 when it became a curatorial section in the museum.[14] The Met is now home to the Irene Lewisohn Costume Reference Library.

Since 1946, with help from the fashion publicist Eleanor Lambert, the institute has hosted the annual Met Gala to enhance coin for operating expenses.[xv]

In 2008, the American Costume Collection of the Brooklyn Museum merged into the Costume Constitute, a cost-saving scheme coming subsequently years of close collaboration between the two organizations. The collection of the Brooklyn museum is older, having been formed from private donations past one-time New York high society personalities, beginning with the donation in 1903 of an 1892 foam crepe wearing apparel worn by Kate Mallory Williams at her graduation from Brooklyn Heights Seminary.[15] Prior to the movement, 23,500 objects from the Brooklyn collection were digitized and these images are now shared by both organizations.[16] At the time of the merger, the Met costume drove consisted of 31,000 objects from the 17th-century onwards.[16] The opening exhibition in 2014 featured work by British-born designer Charles James, an important figure in New York fashion of the 1940s and 1950s and whose work is in the Brooklyn drove.[5]

On September 8, 2015, it was appear that Harold Koda would be stepping down from his position as Curator in Accuse of the Costume Plant. Andrew Bolton, who had joined the Costume Plant in 2002 as associate curator and was made curator in 2006, was announced as his replacement.[one]

In May 2017, the Costume Institute featured an exhibition featuring the works of Rei Kawakubo/Comme des Garçons. The exhibit was the Costume Institute's first exhibition focusing on a living designer since Yves Saint Laurent in 1983.[17]

List of exhibitions [edit]

  • 1971–1972: Fashion Plate (October 1971 – Jan 1972)[18] [19]
  • 1972–1973: Untailored Garments (January–July 1972)[xx] [21]
  • 1973–1974: The World of Balenciaga (March–September 1973)[22]
  • 1974–1975: Romantic and Glamorous Hollywood Blueprint (November 1974 – August 1975)[19] [23]
  • 1975–1976: American Women of Mode (December 1975 – Baronial 1976)[nineteen] [24]
  • 1976–1977: The Celebrity of Russian Costume (December 1976 – August 1977)[19] [25] [26]
  • 1977–1978: Vanity Fair: A Treasure Trove (December 1977 – September 1978)[19] [27]
  • 1978–1979: Diaghilev: Costumes and Designs of the Ballets Russes (November 1978 – June 1979)[xix]
  • 1979–1980: Fashions of the Habsburg Era: Austria-Hungary (December 1979 – August 1980)[19] [28]
  • 1980–1981: The Manchu Dragon: Costumes of China, the Chi'ng Dynasty (December 1980 – August 1981)[19]
  • 1981–1982: The Eighteenth-Century Woman (December 1981 – September 1982)[xix] [29] [30]
  • 1982–1983: Le Belle Époque (Dec 1982 – September 1983)[nineteen] [31]
  • 1983–1984: Yves Saint Laurent: 25 Years of Design (December 1983 – September 1984)[19] [32]
  • 1984–1985: Human being and the Horse (December 1984 – September 1985)[19] [33]
  • 1985–1986: Costumes of Regal India (December 1985 – August 1986)[19] [34]
  • 1986–1987: Trip the light fantastic toe (December 1986 – September 1987)[nineteen] [35]
  • 1987–1988: In Manner: Celebrating Fifty Years of the Costume Found (Nov 1987 – April 1988)[19] [36]
  • 1988–1989: From Queen to Empress: Victorian Wearing apparel 1837–1877 (December 1988 – Apr 1989)[xix] [37]
  • 1989–1990: The Age of Napoleon: Costume from Revolution to Empire, 1789–1815 (December 1989 – April 1990)[xix]
  • 1990–1991: Théâtre de la Style – Fashion Dolls: The Survival of Haute Couture (December 1990 – April 1991)[19]
  • 1991–1992: Gala held, but no concurrent costume exhibition[38]
  • 1992–1993: Fashion and History: A Dialogue (Dec 1992 – March 1993)[19] [39]
  • 1993–1994: Diana Vreeland: Immoderate Manner (December 1993 – March 1994)[19] [40]
  • 1994–1995: Orientalism: Visions of the E in western dress (Dec 1994 – March 1995)[19] [41] [42]
  • 1995–1996: Haute Couture (December 1995 – March 1996)[xix] [43]
  • 1996–1997: Christian Dior (Dec 1996 – March 1997)[xix] [44] [45]
  • 1997–1998: Gianni Versace (December 1997 – March 1998)[nineteen] [46] [47] [48]
  • 1998–1999: Cubism and Mode (December x, 1998 – March 14, 1999)[19] [49]
  • 1999–2000: Rock Style (Dec ix, 1999 – March nineteen, 2000)[19] [l]
  • 2000–2001: No costume exhibition presented[51]
  • 2001: Jacqueline Kennedy: The White Firm Years (May one – July 29, 2001)[19] [52]
  • 2001–2002: No costume exhibition gala presented[51]
  • 2003: Goddess: The Classical Mode (May 1 – August 3, 2003)[xix] [53]
  • 2004: Dangerous Liaisons: Style and Furniture in the 18th Century (April ii? – August 8, 2004)[19] [54]
  • 2005: The House of Chanel (May 5 – August 7, 2005)[19] [55]
  • 2005–2006: Rara Avis: Selections from the Iris Butt Apfel Collection (September 13, 2005 – January 22, 2006)[56]
  • 2006: AngloMania: Tradition and Transgression in British Style (May 3 – September half-dozen, 2006)[19] [57]
  • 2007: Poiret: King of Manner (May nine – Baronial 5, 2007)[xix] [58] [59]
  • 2008: Superheroes: Fashion and Fantasy (May seven – September i, 2008)[xix] [60] [61]
  • 2009: The Model Every bit Muse: Embodying Fashion (May 6 – August 9, 2009)[xix] [62] [63] [64]
  • 2010: American Adult female: Fashioning a National Identity (May 5 – August x, 2010)[19] [65] [66] [67]
  • 2011: Alexander McQueen: Cruel Beauty (May four – August seven, 2011)[19] [68] [69] [70]
  • 2012: Schiaparelli and Prada: Impossible Conversations (May 10 – August 19, 2012)[71]
  • 2013: Punk: Anarchy to Couture (May 9 – Baronial fourteen, 2013)[72] [73]
  • 2014: Charles James: Across Way (May eight – August ten, 2014)[74] [75] [76]
  • 2014–2015: Decease Becomes Her: A Century of Mourning Attire (October 21, 2014 – Feb one, 2015)[77]
  • 2015: China: Through the Looking Drinking glass• (May seven – September 7, 2015)[78]
  • 2015–2016: Jacqueline de Ribes: The Art of Manner (November 19, 2015 – February 21, 2016)[79]
  • 2016: Mitt 10 Machina: Fashion In An Age Of Technology (May 5 – September 5, 2016)[80]
  • 2016–2017: Masterworks: Unpacking Fashion (November xviii, 2016 – Feb five, 2017)[81]
  • 2017: Rei Kawakubo/Comme des Garçons: Fine art of the In-Between (May 4 – September 4, 2017)[82]
  • 2018: Heavenly Bodies: Fashion and the Catholic Imagination (May ten – Oct 8, 2018)[83]
  • 2019: Military camp: Notes on Manner (May viii – September nine, 2019)[84]
  • 2020: About Time: Fashion and Duration [85]
  • 2021–2022 In America: A Lexicon of Manner (office 1 of a two part exhibition)[86]

References [edit]

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External links [edit]

  • Charles James: Across Fashion—Link to the 2014 opening exhibition, honoring the piece of work of Charles James
  • Guide to the Metropolitan Museum of Fine art
  • Digital collections of the Costume Establish
  • Costume Establish Records, 1937–2011 from The Metropolitan Museum of Art Archives, New York.

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Source: https://en.wikipedia.org/wiki/Anna_Wintour_Costume_Center

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